JOHN LUTHER ADAMS

VEILS AND VESPER

VEILS AND VESPER

The definitive recording, presented for the first time in a composer’s special edition.

Consisting of four electronic soundscapes of six hours each, Veils and Vesper conveys an immersive, meditative environment that listeners can enjoy and explore for any length of time they choose.

Packaged in a limited edition box printed with a heat-sensitive ink, with custom engraved portable flash drives and full colour booklet designed by Russell Mills.

AVAILABLE SPRING 2022
Join our email list below for updates and preorder information.

The definitive recording, presented for the first time in a composer’s special edition.

Consisting of four electronic soundscapes of six hours each, VEILS AND VESPER conveys an immersive, meditative environment that listeners can enjoy and explore for any length of time they choose.

Packaged in a limited edition box printed with a heat-sensitive ink, with custom engraved portable flash drives and full colour booklet designed by Russell Mills.

RELEASE DATE TBD [2023]

Join our email list below for updates and preorder information.

October 16 – 24, 2021: Veils and Vesper

An immersive sound installation
at The Winter Garden, Brookfield Place, NYC
with performances by Ekmeles (Oct 21) and
JACK Quartet with Robert Black (Oct 22)

Curated by John Schaefer for New Sounds Live

Veils and Vesper is my most rigorously mathematical work. It’s also one of the most unabashedly sensuous. Over the past fifteen years it’s been installed all over the world – in museums and galleries, concert halls, atriums, churches, and a monastery. But this installation in the Winter Garden is the most complete and extended realization of the work.

This is also the premiere of the performance version. From the beginning, I imagined musicians winding their way through this sonic labyrinth, playing and singing in tune with the acoustically-perfect intervals of the electronic sounds.

There are three Veils and one Vesper. All are exactly 6 hours in length, and are designed to be heard either successively or concurrently in any combination. At the Winter Garden, the installation will run 18 hours a day, for 9 days in a cycle that allows a listener who is present at the same time on successive days to have a completely different experience.

On Thursday evening, four singers from Roomful of Teeth, will perform within Vesper. And on Friday evening, the JACK Quartet and bassist Robert Black will perform within the Veils.

Veils and Vesper is woven from long strands of pink noise rising and falling, passing through “harmonic prisms” of filters tuned to prime number harmonics 11, 13, 17, 19, 23, 29 and 31 – at speeds related to one another by the same numbers as the tunings.

The resulting fields of sound fill the air with many tones sounding at any moment. But it’s often difficult to distinguish one tone from another. They tend to meld together into rich, ambiguous sonorities in which the higher tones sound like harmonics of the lower tones. The timbres are clear and slightly breathy, like human voices mixed with bowed glass or metal.

The Veils encompass 10-octave range and a total of 90 polyphonic voices. (Falling Veil contains 35 voices, Crossing Veil contains 30 voices, and Rising Veil contains 25 voices.) Vesper encompasses a 4-octave range and 18 polyphonic voices.

You, the listener, are invited to create your own individual “mix” of this piece. You may choose to move around. Or you may decide to root yourself in a fixed listening point, basking in the coloration of a single sonic field.

As you listen, you might ask yourself: Can I distinguish the sonic field of one Veil from the others? How many distinct voices can I hear at once? You might try to follow a single voice, one long melodic thread, from the top to the bottom, or the bottom to the top of its trajectory. Or you could just surrender and lose yourself in the sea of sound.

– John Luther Adams

JOHN LUTHER ADAMS

JOHN LUTHER ADAMS

Courtesy of The Cleveland Museum of Art, 2014.

The Mathematics of Resonant Bodies

Cantaloupe Music
80 Hanson Place, Suite 301
Brooklyn, NY 11217

info@cantaloupemusic.com

Cantaloupe Music is the record label created and launched in March 2001 by the three founders of New York’s legendary Bang on a Can organization – composers Michael Gordon, David Lang and Julia Wolfe – with Bang on a Can managing director Kenny Savelson. The label has made a massive impact in the new music community, and has been recognized by critics and fans worldwide for its edgy and adventurous sounds.

Our goal is to provide a home for contemporary classical and post-classical music that is, in the words of Michael Gordon, “too funky for the academy.” Cantaloupe’s ever-growing catalog of nearly 150 titles features recordings by the Bang on a Can All-Stars (Bang on a Can’s flagship ensemble), So Percussion, Alarm Will Sound, Kronos Quartet and many more. The label is home to the lion’s share of recorded music written by Gordon, Lang and Wolfe, and has also released key recordings of recent works by John Luther Adams (including the Grammy-winning Become Ocean), as well as Meredith Monk, Glenn Kotche, Martin Bresnick, Derek Bermel, Donnacha Dennehy, Kate Moore, Caleb Burhans, Florent Ghys, Michael Harrison, and an even wider range of emerging young composers.